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Casablanca (1942)

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2:10 | Trailer
A cynical nightclub owner protects an old flame and her husband from Nazis in Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay) | 3 more credits »
Popularity
1,011 ( 134)
Top Rated Movies #36 | Won 3 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Rick Blaine
Ingrid Bergman ... Ilsa Lund
Paul Henreid ... Victor Laszlo
Claude Rains ... Captain Louis Renault
Conrad Veidt ... Major Heinrich Strasser
Sydney Greenstreet ... Signor Ferrari
Peter Lorre ... Ugarte
S.Z. Sakall ... Carl (as S.K. Sakall)
Madeleine Lebeau ... Yvonne (as Madeleine LeBeau)
Dooley Wilson ... Sam
Joy Page ... Annina Brandel
John Qualen ... Berger
Leonid Kinskey ... Sascha
Curt Bois ... Pickpocket
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Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

They had a date with fate in Casablanca! See more »

Genres:

Drama | Romance | War

Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | German | Italian

Release Date:

4 April 1947 (Netherlands) See more »

Also Known As:

Касабланка See more »

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Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992, Limited Release

Gross USA:

$1,024,560, 16 November 2017
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Casey Robinson, who re-wrote the romantic scenes between Humphrey Bogart and Ingrid Bergman, was offered screen credit but turned it down because at the time he was only taking credit for scripts he wrote entirely by himself. By declining credit, he did himself out of an Academy Award. See more »

Goofs

As Rick signs the note authorizing the payment of one thousand francs, a white bishop sudden appears on the table next to the black bishop beside the chessboard. See more »

Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]
See more »

Alternate Versions

At the time of release, the film was banned in Germany because the story was considered to be anti-Nazi propaganda by the wartime censors. After the end of World War II, the picture was finally released in Germany but with around 20 minutes of footage cut (all scenes with Major Strasser and all references to Nazism). Other scenes were dubbed so that they had a totally different meaning (Victor Laszlo became Victor Larsen, an atomic physicist). In the 70s the film was redubbed by the ZDF, this time in its uncut form. See more »

Connections

Referenced in Romancing the Stone (1984) See more »

Soundtracks

Love for Sale
(uncredited)
Music by Cole Porter
Played when Renault joins Laszlo and Ilsa at their table
See more »

Frequently Asked Questions

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User Reviews

 
"I should never have switched from scotch to martinis."
6 December 2006 | by JFHuntSee all my reviews

The Petrified Forest convinced the world Bogart was a bad guy. And for years he shocked and awed the audience with roles fitting that image. The Maltese Falcon showed a new kind hero, one with an edge. Bogart, with all the right things to say and seemingly never losing his cool. Then came Casablanca and the ages. The man's – man comes with a heart. Arguably, three of his best pictures. All showing a change in a man's character and the depths of what acting is supposed to be. Maybe it was Warner Bros all along. Maybe Bogart was simply Bogart.

What can I say about this film that hasn't been said in over 60 years since its release. Is it a great film? Yes. Is it a showcase for Bogart? If not, than what else. Was Bogart the coolest guy to ever live? Absolutely. Casablanca is a different kind of love story, more likely to infect rather than effect.

She almost makes me believe it every time. When she says, "You're very kind." Bergman was more than just beautiful. And with Paul Henreid, Claude Rains, Conrad Veidt and Peter Lorre, cinema magic was created. But to me, Bogart was the greatest actor of all time. It's hard for me to believe he died almost 50 years ago. Every time I watch his films, it's like they were made yesterday. And that's why he is timeless. I'm still trying to figure him out.

"I should never have switched from scotch to martinis." Is said to be Bogart's last words. A legend, indeed.


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